AFRICAN AMERICAN RAP CULTURE AS A METAMORPHOSIS OF ORALITY IN BLACK LITERATURE.
dc.contributor.author | AMINU SEGUN | en |
dc.creator | AMINU SEGUN | en |
dc.date.accessioned | 2023-09-22T14:45:41Z | |
dc.date.available | 2023-09-22T14:45:41Z | |
dc.date.issued | 2014-11-11 | en |
dc.description.abstract | Rap music is a derivative of the oral forms of literature, which is man's original medium of self-expression and artistic creativity. Rap music (Rhythm and Blues) is a highly prolific component of a popular culture, which has served as a means of expressing the plight of the black man in a predominantly prejudicial white society. Prior to the advent of written culture, orality was to a very large extent, the main mode of transmitting information and passing down history and legends from one generation to another. This work takes a critical look at the rap music of some black artists and their exploitation of the medium of orality in the United States. | en |
dc.identifier.uri | https://teras.ng/api/asset/document/0c7b50ba-5ad6-449f-b6d1-5d112ea481c7 | en |
dc.identifier.uri | https://teras.ng/catalog-item/7304655a-5ba8-49a8-b63a-91149f31f6ad | en |
dc.identifier.uri | http://dspace.teras-network.net:4000/handle/123456789/36949 | |
dc.publisher | Adekunle Ajasin University Akungba | en |
dc.title | AFRICAN AMERICAN RAP CULTURE AS A METAMORPHOSIS OF ORALITY IN BLACK LITERATURE. | en |
dc.type | Undergraduate Theses | en |
thesis.degree.level | Bachelors | en |
thesis.matric.number | 049101007 | en |